Congratulations! You've found the perfect solution for 3D broadcast graphics - time to get busy.




» Takes under 30 minutes for first setup, 5 minutes for re-calibration.

» Feeds the positional data of the camera to the render engine.

» Supports all major render engines as well as custom protocols.

» Works with the industry standard Stanton Jimmy jib USA.

What is this?

» Automatic aiming and focusing.

Stype kit can go with you on the plane

as a carry-on baggage!



We ship the Stype kit in a tough professional case

which contains everything you need to get you up

and running right away.





Works straight out of the box with industry standard Stanton Jimmy jib.

Plug and Play

There is no need for special floor surfaces, sensors, markers, or even green screens!





With the Stype kit, you can turn the industry standard camera crane – Stanton Jimmy Jib – into an encoded camera crane capable of data tracking and virtual output to industry’s leading render engines such as Vizrt, Orad and others. Using this positional data, any computer generated object or animation can be seamlessly added into a real life set – thus creating an augmented reality set. This principle can also be used with a green or blue screen for virtual studio sets. You can use the Stype kit for inside or outside broadcast and achieve immersive 3D broadcast graphics more easily than ever.

Move the camera in 3D space without limitations using crane arms with up to 10m (30ft) reach and dolly on rails. Create breathtaking shots which, incorporated with immersive 3D broadcast graphics, will raise the production value of your show and engage your audience in a compelling way. Easily transform your ordinary studio into a virtual studio with green/blue screen or simply implement 3D broadcast graphics directly in the real life set.

Download and read the Stype kit brochure here.

Simplified Configuration Scheme

Stype kit’s main console receives positional data of the camera in 3D space and sends it in real time to the render engine of choice. Such information includes PAN/TILT/ROLL of the head, FOCUS&ZOOM from the camera, PAN/TILT of the camera crane’s arm. You can even put the crane on rails and receive virtual data along this axis too for ultimate flexibility.

Virtual studio setup Stype kit

Why Stype kit?

We believe that broadcast graphics should offer a relevant addition to the scene and subtly add to the quality of the show in whole. It should aid the viewer in understanding the complex data and drive engagement by adding stunning effects to it. We are aware of the challenges of creating and maintaining a demanding show with complex realtime 3D broadcast graphics.

We designed the Stype kit having all this in mind. You can integrate the Stype kit in your production pipeline fast and intuitive. Our main concern is to eliminate redundant actions and make the learning curve as steep as possible. This gives you more time to work on the creative process of designing the show not worrying about technical stuff too much.

We keep a close ear to our client’s wishes and our engineers observations and implement them in each new upgrade thus removing the unnecessary steps and giving the production crew a satisfied grin on their face. Best part is – upgrades can be retrofitted to all our older systems over the internet.


Technical specifications at a glance

For detailed technical specifications please refer to the Stype kit’s datasheet ›› Download Datasheet
Encoder input: 8 channelsPan, Tilt, Roll/External Encoder, Zoom, Focus, Dolly
Canon lenses digital protocolYes
Fujion lenses digital protocolYes
Re-calibration time after power upUnder 30 sec (If the camera crane was moved to another location then under 5 minutes)
Kit weightUnder 12 kg
Head max payload22,6kg
DollyTravel on tracks (rail)
Camera tilt angle360 degrees
Camera pan angle360 degrees
Zoom encoder resolution~7,000 pulses
Head max speed90 degrees/sec
Ramping modesExponential, averaging, acceleration limit
Auto aimingYes
Auto focusingYes


Global recognition

The Stype kit is globaly recognized for its precision and stability. That is why major broadcasters such as Fox Sports Australia, the BBC, Star Sports India, Viasat Sport and many others choose our system not only for their daily productions but for large scale projects too. Find out who else is using the Stype kit and connect via Stype kit global community. Integrating beautiful 3D broadcast graphics in real sets has never been so easy!

British Broadcasting Channel
Fox Sports AU is Australia’s leading producer of sports </br> television coverage and delivers an average of 23 hours  </br> of LIVE sport per day into 2.5 million homes around Australia.
Vizrt provides real-time 3D graphics, studio automation,</br>
sports analysis and asset management tools for the </br>
broadcast industry - interactive and virtual solutions, animations, </br>
maps, weather, video editing and compositing tools.</br>
with customers in more than 100 countries.
Alston Elliot LTD is the UK’s leading sports graphic company</br>
providing live real-time 3D graphic to broadcasters including</br>
Sky Sports, BBC, IMG, ITV and ESPN with 20 year experience. </br>
wTVision is a leading company providing Real-Time On-Air </br>
Graphics and Playout Automation solutions for the Broadcast </br>
Industry. wTVision services' premium quality is assured by the </br>
company's solid experience, counting more than 15.000 Live  </br>
Events and a recurring presence in more than 30 countries. </br>
Eurogrip offers the widest range of devices for the more </br>
advanced camera work. In addition, it can present more </br>
than 25 years of experience in film, video, TV and commercials. </br>
Star Sports is a National sports network in India owned </br> by STAR TV and Fox International Channels. It is highly </br>valued for its broadcast of India's main sports: cricket, <br>hockey and badminton.
Specializing in VizRT products and workflows Girraphic has</br>
over 30 years of industry experience in the conception, </br>
production and successful delivery of full turnkey and bespoke </br>
on-air graphics solutions across all media platforms.
The Middle East Broadcasting Center (MBC) Group provides</br>
multiple channels of information, interaction and entertainment.</br>
MBC Group includes 10 television channels.</br>
Guangdong Television (GDTV) is a television network owned </br>
by Southern Media Corporation in China. It is the oldest television </br>
station in Guangdong. At present, Guangdong TV has a staff </br>
of around 1,800 people.</br>
Viasat Sport is a group of sports channels broadcasting </br>
from the United Kingdom with the primary market being Sweden. </br>
Powered by Vizrt and StypeGRIP, Viasat covered Sochi Olympics</br>
with nine HDTV channels and Viaplay streaming service along </br>
with impressive virtual graphics.
Promotheus combines marketing, engineering and TV content expertise </br>to help network channels, cable channels and public broadcasting stations </br> build brands, launch new shows, promote special events,  and sustain </br>their loyal audience.
One of India's largest and most influential </br>TV networks. Based in New Delhi.
TIMES NOW is a Leading 24-hour English News </br>channel that provides the Urbane viewers the complete 
</br>picture of the news that is relevant, presented in a</br> vivid and insightful manner.
Zee News India
WASP3D - Realtime Interactive 3D Broadcast Graphics
TV Azteca
Passionate about live production, Ross Video designs, manufactures and delivers dependable technology and services that power exceptional live video productions seen by billions of viewers around the world every day.
Stunning broadcast graphics, innovative interaction and control
NRK is the Norwegian government-owned radio and television public broadcasting company, and the largest media organisation in Norway.
Broadcast Graphics Systems,
Data Collection Systems,
Information Management Systems